Winning something
like an Oscar, or a Emmy, or in the case of this Forum, a Pulitzer Prize
for Excellence in Journalism (the stuff that dreams are made of) is certainly a
great honor. And if one is lucky enough to
win a Tony award for producing a great Broadway play, one is even luckier.
Sara Krulwich/The New York Times |
Unlike the Oscars and the Grammys, for which actual
awards are given only to hands-on producers and artists, organizers sell Tonys
to dozens of major investors, which helps finance the multimillion-dollar
awards ceremony. This year looks to be one of the most lucrative yet. Because
of the proliferation of these investors (who are called producers in Broadway
parlance), so many are eligible to buy the silver medallion on a pedestal that
the Tonys may pull in $250,000 or more.
“It’s absolutely ridiculous that we’re asked to pay
$2,500 when the actual award costs a fraction of that, and part of me doesn’t
want to pay,” said Terry Allen Kramer, a veteran producer and investor who put
money into “Kinky Boots,” which won the Tony for best musical.
Asked if she was passing on the option, however, she
laughed over the phone from her vacation spot in Saint-Tropez , France .
“Of course not,” she said. “I figure when I die, it’s something to leave the
kids.”
The dream of having a Tony on the mantel is a priceless
incentive for attracting investors, according to Broadway business veterans,
and $2,500 is a small price for those already wealthy enough to let their money
ride on a high-risk venture.
Now those expecting harsh sarcastic criticism of the
Tony’s for charging $2,500.00 to get one of their little desk ornaments are
going to be disappointed. Sticking
wealthy show producers with a $2,500.00 bill is something we have to
admire. Taking advantage of the greed
and vanity of wealthy people, priceless.
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